21. Invasion


Aired:		Friday, June 28, 1996
Filmed:		Feb. 2 - Feb. 20, 1996
Production #: 	K0811
Network #:	SL-209	
Written By:	Tracy Torme		
Directed By:	Richard Compton	 	
Music By:	Anthony Marinelli		 
Edited By:	Casey Brown		
Ratings:			Competition:
	Viewers: 6.0		ABC: 	8:00 	"Family Matters"(r) (10.4/44)
	Rating:	4.1		ABC:	8:30	"Boy Meets World"(r) (10.0/47)
	Share:	10		NBC:	8:00 	"Unsolved Mysteries"(r) (8.4/52)
	Rank:	81/104		CBS: 	8:00 	"Due South"(r) (6.7/72)
				Fox:	8 :00 	"Sliders" (6.0/81)

Repeated: 	Friday, August 30, 1996		
Repeat Ratings:  Viewers: 5.0; Rating: 3.6; Share: 8; Rank: 84/107.
Repeated:	Friday, December 27, 1996
Repeat Ratings:  Viewers: 7.7; Rating: 5.2; Share: 10; Rank: 70/103.

Logline: The sliders land on a world being invaded by a militaristic ape race that believes Quinn is responsible for a crash that destroyed one of its ships. The four escape by sliding to "New France" but danger abounds when it's revealed that these "Kromaggs" have the power to follow.
World From:
Casino World : This world is referred to in passing later when Arturo suggests that Remmy pay for their meal with some small silver coins he won "at the last casino."

Duration:

Unknown.

World From:

Rollerblade World : The only information known about his world is that Remmy bought safety equipment -- a helmet, knee and elbow pads -- there for protection against the bumps and bruises incurred by sliding. He is wearing them when he enters the next world.

Duration:

Unknown.

World Into:

Invaded World : On this world, the population has been either eradicated or imprisoned by the invading Kromagg Dynasty though the mentally ill have been left to roam free, possibly because they weren't deemed 'good stock' by the Kromaggs.

Duration:

Unknown but about two hours because they enter the world when it's light out and leave after it has grown fully dark.

Timer Status:

Squirly due to the Manta ship's synced-up energy patterns. Quinn "solves" the problem by pointing the timer at the ship, which causes the ship to crash and burn.

World Into:

France World : Or, more specifically, Versailles West in the country of New France. The French apparently rule the continent (per Arturo) and it looks like they've brought a lot of Parisian charm, bistros etc..., to San Francisco.

Duration:

Unknown but probably about seven hours, because the sliders enter this world just before dawn and then later, at the lunch table, Quinn's watch can be seen as showing what looks to be 1:00 pm. Yet it must be noted that the sliders didn't slide out of this world, they were knocked unconscious by a red ray beam and taken aboard (unseen) a Kromagg ship. When they awoke, the ship was travelling through the wormhole en route to Outpost Earth 113.

World Into:

Outpost World : This seems to be the home base for the Kromagg Dynasty, not their home world, mind you, but a barren world where advanced life has never developed and where the Kromaggs have built some sort of compound for prisoners, interrogation etc. There are thousands of human prisoners here -- some for slave labor, some for "food." Later, after Quinn had been to the "garden" with Mary, he relates to the others that the Dyansty's home world, Kromagg World, is a jungle planet where the cities are built "amidst trees that would make the red woods look like match sticks" and where there was once endless tribal warfare.

Duration:

Unknown but it seems that the sliders stay on Outpost World for at least a day or so. After all, the four just finished lunch when they were taken there and Rembrandt says that he's hungry again while he and Quinn are in their cells. Quinn also mentions that Arturo was taken for questioning "hours ago." When the four get the timer back from Mary, it reads 83 minutes until the next window which can only be accessed from France World.

World Into:

France World : again. Mary programmed the timer to send the four back here so that they will be able to slide properly into their next world (unseen).

Duration:

About 75 minutes.
Details, Details:
  • The sign outside of the carnival midway, though spray painted over with "They're Coming," "Kromaggs Rule" and "The End Is Here" reads:
    Bay Area Development
    California Department of Transportation
    Project Funded by
    (logo) CalTrans
    Personal File:
  • Wade has an uncle who worked at the Gatehaven Mental Institution on Home World. (Gatehaven is also reffered to on Shrink World when the doctor tells his secretary to call the hospital to take Remmy away.)
  • Rembrandt's father is still alive on Home World; he also does not have a sister.
    Script Snips:
  • "Only a watch!? That timepiece was probably worth more than the gross national product of Paraguay. Nasty French planet, filled with shifty, back-stabbing, croissant -eating nitwits... that frog-eating mendicant, I wouldn't waste good material on him." -- An angry and ranting Arturo as he expounds on France World, the rude waiter and the fact that he had to fork over his good watch to pay for lunch.
  • "She's supposed to be a monster? I mean... the Kromaggs ever look into a mirror? Eye-eating freaks!" -- Rembrandt when told that the Kromaggs consider humans to be hideous creatures.
  • "All right, I changed my mind. After Kromagg prison world, New France is bearable." -- Arturo after the four return to France World.
    Rewind That!:
  • In the park, a the man Arturo landed on seems ready to whack Arturo over the head with a big loaf of bread and if you listen carefully, Arturo cautions him otherwise: "Nasty, garlic-eating... don't you dare, you little..."
    Money Matters: It's interesting that Arturo calls Rembrandt "our treasurer," though it seems that Remmy didn't do such a good job this time. When they first land on France World, Rembrandt pulls out a wad of cash and gives a bill as a tip to an accordion player. Later, after the sliders have finished lunch at the bistro, Arturo asks Rembrandt to pay for the lunch using the small pieces of silver he won "at the last casino." But uh, oh. Rembrandt seems to have lost his wallet, or the silver or that wad of cash he was carrying. Thus, rather that be stuck doing dishes, Arturo pays for the lunch using his expensive watch, and no one mentions Remmy's goof again.
    Nit-picks:
  • In the cell, Rembrandt asks Quinn what time it is but Quinn is at a loss to tell him. "Can't help you there Rembrandt," he says. "No windows, no clocks... the hours just seem to run together." After that little speech, Quinn sits up and raises his hands to his face -- and it's obvious that he's wearing a watch on his left wrist.
    Neat-picks:
  • Conrad Bennish returns! Though he is never named in the episode and the sliders don't seem to recognize him, it is actor Jason Gaffney portraying the credited "prisoner."
    History Lesson:

    Kromaggs (at right), their name derived from Cromagnon an early derivative of humans, come from a world that followed a different evolutionary path. They communicate telepathically with one another though they do have the power of distinct speech.

    The Kromagg home world, where cities are built into gigantic trees, was once a hellish place where tribal wars were endless until the discovery of sliding. When they ventured into the vortex they were shocked to find other worlds where humans had developed rather than species such as their selves. This frightened them and the "people" of their world banded together to fight a now common enemy -- humans. To do this, they created a single, military government that dedicated itself to travelling to other worlds, via sliding, in order to eradicate all of the human races encountered. As a result of the endeavor, the civil wars ceased.

    This so-called Kromagg Dynasty has been invading worlds for at least 10 years (surmized because the 20-something Mary says that she was recruited as an interpreter when she was just a little girl) and their conquests have always been successful.

    When the Kromaggs conquer an earth, they kill most of the humans while saving others for slave labor or food... it seems they have an appetite for human eyes. When they take humans with them, they are first brought to Outpost Earth 113 where they are kept in prisons until such time that they would be brought along to the Kromagg Home World, probably for further study.

    Mary says that the Kromaggs' encounter with our sliders scared them to death because it was their first meeting with homosapians who could control sliding. Because of that, the Kromaggs wanted to find the sliders' home world and destroy it so as not to encounter any sliding humans ever again. After implanting one of our sliders with a homing device, it's possible that we may see the Kromaggs again.


    Guest Cast:
    	Una Damon		Mary
    	Lee W. Weaver1		Mr. [Hilton] Brown *
    With:
    	Robert Lewis		Mr. Clarke
    	Gerry South		Kromagg **
    	Jason Gaffney2		Prisoner [Conrad Bennish Jr.]
    	Francoise Najda		French Waiter
    	Pierre Martineau	French Bread Man
    Uncredited:
    	The mentally ill "twin daughters," the accordion player in the park 
    	and the French  woman who turns Rembrandt's head.
    
    1. Lee W. Weaver starred in the 1969-1971 incarnation of "The Bill Cosby Show" playing Bill's brother Brian Kincaid. He also co-starred in the short-lived 1986 sitcom "Easy Street" as Ricardo Williams.
    2. Jason Gaffney portrayed Conrad Bennish Jr. in the Pilot, Last Days, and Summer of Love.
    * Mr. Brown's first name is only given in the Fox press release.
    ** While there are a half dozen Kromaggs running around, Gerry South is the only one who is credited. Thus, it is assumed that he is the one with the speaking role at the end of the episode.
    The Inside Slide:

  • Another of Torme's, and to an extent John Rhys-Davies', favorite episodes. Torme had always wanted to do an episode that was a little more steeped in traditional science fiction but couldn't really pull one off due to network resistance. "We finally did ... "Invasion"," Torme recalls. "But that was only by my going to the network head [John Matoian] and saying 'Please let me do this, because I've been stopped from doing it for a year.'
    "I [also] wanted to clear a few things up because I had gained the reputation as being 'difficult' when I wouldn't take 'no' for an answer on the cliffhanger, so I wanted to make sure that he knew where I was coming from. I told him I wanted to create this villain, and wanted to do something more science fictiony, and all the reasons why, and [Matoian] said 'Great, do it; why wouldn't you do it?' I said 'Well, because they've been stopping me.' So he overruled the people working under him.
    ""Invasion" was an important show for a number of reasons. Number one being that no one was sure we could pull it off. We were having trouble doing straight-forward shows and meeting our budgets. So to do a show with an alien invasion, spaceships crashing and going to a prison planet; there were many people who felt we couldn't do it. At the same time, I wanted to give the fans something special. They had wanted to see Bennish all year, and Fox wouldn't let me use him, so I put him in a prison and didn't give him a name, and took his eyes out." But why wouldn't the network, or the studio for that matter, let Sliders bring Bennish back?
    "The main reason you haven't seen much of him lately is that the studio didn't want to pay to bring them down from Vancouver [during the third season]," Torme says. "Bennish is one of my favorite characters and [Jason Gaffney] is also a good friend of mine. His wife and my wife are very good friends. We travel together. And it was very embarrassing that we couldn't use him again. Now, the reason Bennish wasn't ... seen more is because there was a character on VR5 ... that had long hair and was sort of smart, and they decided that that was too close to Bennish. So right from the beginning every time we had Bennish on the show they'd want to take him out. He was in a lot of other shows," Torme says. "[His appearance in "Invasion"] was my little shot at Fox and I never told them that's who was going to play the part. So I really did it just for the fans so that I thought, you know, once you really see the guy and some people would say 'my God! That's Bennish!' you know? And that's the reason we even got him into [this episode]. If they had known it was him, they wouldn't have let me do it."

  • In the end, Torme was very happy with the outcome of "Invasion."
    "I thought it was exactly the kind of show we should do. Our necks were on the line to prove we could produce and out-and-out kind of sci-fi show, doing it under budget, doing it in Canada, so I worked very hard on that one in a very small space of time. I worked with the make-up guys from "The X-Files" who were fans of the show and were willing to do this as a one-time shot, and we designed the Kromaggs carefully. Of course, there was a lot more in the script than hit the screen."
    "I also worked a lot longer on the sound editing than on any other show. It had a lot more layers, and in fact, we were nominated for an Emmy for the sound -- our first [see below]. For all those reasons, plus the idea of setting up something in the future -- an enemy that could return -- it felt like the most important show we had done since the "Pilot.""
    The episode ended up being John Rhys-Davies' favorite, Torme adds. "He wrote letters to everyone saying, 'This is what we should be doing.'" But some felt otherwise.
    "I screened it for the new executive producer, and after it was over he said: 'Well, this is exactly the sort of show we should not be doing this year' ... he said it was 'too dark.' It was sort of the 'anti-family values show' ... when I heard that, I realized that he and I just were not going to see the show in the same way."
    At the end of this episode, there is some allusion towards a cliffhanger, but there was another episode after this. Why? Tracy Torme explains: "The network maintains the right to run the shows in any sequence they want," he says. "We ended the ... season on a cliffhanger with "Invasion" but [that] was one show they didn't like and pushed it back, so we actually had a cliffhanger and then another episode ["As Time Goes By"]."
    Still, Torme sees a follow-up to this episode as a remote possibility.
    "I have a very trippy, surrealistic show in mind involving the Kromaggs. It wouldn't be us landing in the middle of another invasion; it would start in a way that you wouldn't know it was a Kromagg show."
    Torme adds that they've had many requests to bring the Kromaggs back.
    "If we do so," he says, "we must be careful that it's handled with taste and doesn't devolve into some kind of monster show sequel. And, yes, we will eventually find out which slider was implanted [with the homing device.]"

  • A first for Sliders -- an Emmy Award nomination for this episode in the category of Outstanding Sound Effects Editing for a Series. Honorees were; Kyle Wright, Supervising Sound Editor; Charlie Crutcher, Sound Editor; Steve Burger, Sound Editor; Lydian Tone, Sound Editor; Mike Gollom, Sound Editor; Laura Macias, Foley Artist; Sharon Michaels, Foley Artist.
    Other shows competing in this category were Dr. Quinn, Medicine Woman (CBS) for "Halloween III," Law & Order (NBC) for "Hot Pursuit," Party of Five (Fox) for "The Wedding," Strange Luck (Fox) for "The Liver Wild" and The X-Files (Fox) for "Nisei" (which won the award).

  • One nitpick that fans picked out was the scene where Arturo and Quinn are investigating inside the Kromagg Manta ship while Wade and Remmy wait for them outside. While it seems that the professor and Quinn are only scouting the ship's interior for a few seconds, it grows dark outside.
    "I remember we had to do [that] particular scene at night [but] it was written to be [filmed] in the daytime," Torme explains. "[So] we did this sort of cheesy dissolve when Wade and Remmy are walking outside the ship and Wade says something like 'I hope they hurry, it's almost dark' then we dissolve into darkness and cut back to Arturo and Quinn inside the ship and they looked like they were in the same place doing the same thing seven hours later."
    Still, Torme feels that the plot device used to compensate for the restriction worked, and he doesn't think that casual viewers really noticed it.
    Back to Season Two
    Back to Contents